Ramos’ Folly and Tadić’s Triumph
After the final scene in Alfonso Cuáron’s 2000 film “Amores Perros,” the screen fades to black, and a dedication in white text appears: “A Luciano, porque también somos lo que hemos perdido.” This translates as “To Luciano, because we are also what we have lost.” In “Amores Perros,” each character is defined by what…
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