Ramos’ Folly and Tadić’s Triumph

After the final scene in Alfonso Cuáron’s 2000 film “Amores Perros,” the screen fades to black, and a dedication in white text appears: “A Luciano, porque también somos lo que hemos perdido.” This translates as “To Luciano, because we are also what we have lost.”   In “Amores Perros,” each character is defined by what…